What is it?
What can you see?
Context
printmaker
printer
publisher

Object data

Object number
p2489gS2006
Edition
3/100, total edition of 100, 30 proofs of this specific state
Dimensions
65 cm x 50.2 cm, 49.4 cm x 31.4 cm

Inscription/label

remarque
by Dulac, Charles Marie
signature and number
Ch Dulac + 2
signature and number
3 Ch. Dulac
blind embossing
IMPRIMË PAR BELFOND & CIE PARIS by Imprimerie Belfond & Cie, Lugt no. 225d

Literature

  • Elizabeth Prelinger, Charles Dulac's : Suite de Paysages, p. 41-52
  • Penny Florence, Mallarmé, Manet and Redon : visual and aural signs and the generation of meaning, 1986, p. 359-407
  • Richard Thomson, The troubled republic : visual culture and social debate in France, 1889–1900, 2004, p. 130-133
  • Fred Leeman, Landschappen van de ziel : het symbolistisch landschap in Frankrijk 1880-1910 = Paysage de l'âme : paysages symbolistes Français 1880-1910, 2010, p. 18-39
  • Jean-David Jumeau-Lafond, Les peintres de l'âme : le Symbolisme idéaliste en France, 1999, p. 57-63
  • ed. by Phillip Dennis Cate, The graphic arts and French society, 1871-1914, 1988, p. 94-112
  • ed. by Pat Gilmour, Lasting Impressions : lithography as art, cop. 1988, p. 114-117
  • Philip Dennis Cate, Sinclair Hamilton Hitchings ; with a translation by Margaret Needman of André Mellerio's 1898 essay la lithographie originale en couleurs, The color revolution : color lithography in France 1890 - 1900, 1978, p. 85
  • [medewerkers van Gogh Museum], Van Gogh Museum : jaarverslag 2006, 2007, p. 68
  • Hrsg. von Claire Frèches-Thory und Ursula Perucchi-Petri, Die Nabis : Propheten der Moderne, 1993, p. 460-461
  • Katharine Lochnan and Brenda Rix, Printmaking in nineteenth-century France, 1988, p. 60-61
  • [Phylis Floyd], Seeking the floating world : the Japanese spirit in turn-of-the-century french art, cop. 1989, no.70-71